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Texas Originals

The King of Ragtime, Scott Joplin

He was a legendary all-around musician and master of American music called “Ragtime.”

Scott Joplin mural
Texarkana mural honoring Scott Joplin. Photo by Carol M. Highsmith. Image courtesy the Library of Congress.

Scott Joplin
(ca. 1868–April 1, 1917)


In the early 1880s, a young African American boy in Texarkana named Scott Joplin was trained in the fundamentals of classical music and opera by his German-born teacher. Born near Linden, Joplin was the son of a former slave — and a budding musical talent. By his early twenties, he left home to become an itinerant musician.

Scott Joplin
Portrait of Scott Joplin. First published in St. Louis Globe-Democrat newspaper, June 7, 1903. Image courtesy the Library of Congress.

While living in St. Louis, Joplin encountered a kind of music that juxtaposed a steady, bouncing bass with a syncopated treble: “ragged time,” or “ragtime.” The music was played in saloons and brothels, and in Joplin’s hands, it became high art.

In the late 1890s, Joplin settled in Sedalia, Missouri, where he studied music, performed, and began writing songs such as the “Maple Leaf Rag” and “The Entertainer.” Ragtime was described as the “one true American music” of the day, and Joplin was its king.

Joplin spent his final years in New York City, seeking to produce his opera, Treemonisha. Discouraged and in declining health, he died in 1917.

In the 1970s, the world rediscovered Joplin. New recordings were issued. And his music featured prominently in the Hollywood film The Sting, which won an Academy Award for its score.

In 1976, Joplin received a posthumous Pulitzer Prize for his unique and lasting contributions to American popular song.


For more about Scott Joplin

The National Recording Preservation Board of the Library of Congress houses ragtime compositions of Scott Joplin on piano rolls, which represent how Joplin’s compositions were originally heard.


Maple Leaf cover
Cover of Scott Joplin’s “Maple Leaf Rag” music score, 1911. Image courtesy the Library of Congress.


Texarkana’s Museum of Regional History features a variety of exhibits depicting the history of northeast Texas from the time of the Caddo through the founding of Texarkana and beyond. Interactive exhibits explore the musical history of the region and focus specifically on Joplin’s life and achievements.

A mural depicting Joplin’s life and accomplishments is on display in downtown Texarkana. The mural is on the south wall of the building at 311 Main Street, near the Perot Theatre.


Selected bibliography

Albrecht, Theodore, “JOPLIN, SCOTT,” Handbook of Texas Online (, accessed May 13, 2013. Published by the Texas State Historical Association.

Albrecht, Theodore. “Julius Weiss: Scott Joplin’s First Piano Teacher,” College Music Symposium 19 (1979): 89–105.

Berlin, Edward A. King of Ragtime: Scott Joplin and His Era. New York: Oxford University Press, 1994.

Blesh, Rudi, and Harriet Janis. They All Played Ragtime: The True Story of an American Music. 2nd ed. New York: Oak Publications, 1966.

Dingus, Anne. “Scott Joplin.” Texas Monthly, January 1999.

Haskins, James, and Kathleen Benson. Scott Joplin. Garden City, New York: Doubleday, 1978.

Joplin, Scott. The Collected Works of Scott Joplin. Edited by Vera Brodsky Lawrence. New York Public Library, 1971.

The Scott Joplin International Ragtime Foundation. Accessed May 22, 2013.,

Walsh, Michael. “Great Expectations.” Smithsonian, June 2010.