![Tina Modotti, Woman of Tehuantepec, c. 1929, gelatin silver print, Philadelphia Museum of Art, gift of Mr. and Mrs. Carl Zigrosser. (Photo Credit: Philadelphia Museum of Art, gift of Mr. and Mrs. Carl Zigrosser)]()
Tina Modotti, Woman of Tehuantepec, c. 1929, gelatin silver print, Philadelphia Museum of Art, gift of Mr. and Mrs. Carl Zigrosser. (Photo Credit: Philadelphia Museum of Art, gift of Mr. and Mrs. Carl Zigrosser)
![Saturnino Herrán, The Offering, 1913, oil on canvas, Museo Nacional de Arte, INBA, Mexico City. (Photo Credit: Museo Nacional de Arte, INBA, Mexico City)]()
Saturnino Herrán, The Offering, 1913, oil on canvas, Museo Nacional de Arte, INBA, Mexico City. (Photo Credit: Museo Nacional de Arte, INBA, Mexico City)
![Roberto Montenegro, Maya Women, 1926, oil on canvas, Museum of Modern Art, New York, gift of Nelson A. Rockefeller. © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City (Photo Credit: © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City)]()
Roberto Montenegro, Maya Women, 1926, oil on canvas, Museum of Modern Art, New York, gift of Nelson A. Rockefeller. © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City (Photo Credit: © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City)
![María Izquierdo, Our Lady of Sorrows, 1943, oil on board, private collection. (Photo Credit: Museum Of Fine Arts, Houston)]()
María Izquierdo, Our Lady of Sorrows, 1943, oil on board, private collection. (Photo Credit: Museum Of Fine Arts, Houston)
![Henri Cartier-Bresson, Calle Cuauhtemoctzin, Mexico City, 1934, printed 1946, gelatin silver print, The Metropolitan Museum of Art, New York. Ford Motor Company Collection, gift of Ford Motor Company and John C. Waddell. © Henri Cartier-Bresson/ Magnum Photos (Photo Credit: © Henri Cartier-Bresson/ Magnum Photos)]()
Henri Cartier-Bresson, Calle Cuauhtemoctzin, Mexico City, 1934, printed 1946, gelatin silver print, The Metropolitan Museum of Art, New York. Ford Motor Company Collection, gift of Ford Motor Company and John C. Waddell. © Henri Cartier-Bresson/ Magnum Photos (Photo Credit: © Henri Cartier-Bresson/ Magnum Photos)
![José Clemente Orozco, Barricade, 1931, oil on canvas, the Museum of Modern Art, New York, given anonymously. © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City (Photo Credit: © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City)]()
José Clemente Orozco, Barricade, 1931, oil on canvas, the Museum of Modern Art, New York, given anonymously. © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City (Photo Credit: © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City)
![José Clemente Orozco, The House of Tears: The Pimps’ Dance I, 1913–15, watercolor on paper, Museo de Arte Carrillo Gil, Mexico City. © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City (Photo Credit: © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City)]()
José Clemente Orozco, The House of Tears: The Pimps’ Dance I, 1913–15, watercolor on paper, Museo de Arte Carrillo Gil, Mexico City. © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City (Photo Credit: © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City)
![Juan O’Gorman, Mexico City, 1949, tempera on Masonite, Museo de Arte Moderno, INBA, Mexico City. © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City (Photo Credit: © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City )]()
Juan O’Gorman, Mexico City, 1949, tempera on Masonite, Museo de Arte Moderno, INBA, Mexico City. © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City (Photo Credit: © 2017 Artists Rights Society (ARS), New York / SOMAAP, Mexico City )
![Frida Kahlo, Self-Portrait on the Border Line between Mexico and the United States, 1932, oil on metal, collection of María and Manuel Reyero, New York. © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York (Photo Credit: © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York)]()
Frida Kahlo, Self-Portrait on the Border Line between Mexico and the United States, 1932, oil on metal, collection of María and Manuel Reyero, New York. © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York (Photo Credit: © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York)
![Diego Rivera, Still Life with Bread and Fruit, 1917, oil on canvas, Los Angeles County Museum of Art, gift of Morton D. May. © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York (Photo Credit: © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York)]()
Diego Rivera, Still Life with Bread and Fruit, 1917, oil on canvas, Los Angeles County Museum of Art, gift of Morton D. May. © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York (Photo Credit: © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York)
![Diego Rivera, Portrait of Martín Luis Guzmán, 1915, oil on canvas, Fundación Televisa Collection and Archive. © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York (Photo Credit: © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York)]()
Diego Rivera, Portrait of Martín Luis Guzmán, 1915, oil on canvas, Fundación Televisa Collection and Archive. © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York (Photo Credit: © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York)
![Diego Rivera, Dance in Tehuantepec, 1928, oil on canvas, collection of Eduardo F. Costantini, Buenos Aires. © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York (Photo Credit: © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York)]()
Diego Rivera, Dance in Tehuantepec, 1928, oil on canvas, collection of Eduardo F. Costantini, Buenos Aires. © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York (Photo Credit: © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico D. F. / Artists Rights Society (ARS), New York)
![Antonio Ruiz, Bicycle Race, 1938, oil on canvas, Philadelphia Museum of Art, purchased with the Nebinger Fund. (Photo Credit: Philadelphia Museum of Art)]()
Antonio Ruiz, Bicycle Race, 1938, oil on canvas, Philadelphia Museum of Art, purchased with the Nebinger Fund. (Photo Credit: Philadelphia Museum of Art)
![Alfredo Ramos Martínez, Zapatistas, c. 1932, oil on canvas, San Francisco Museum of Modern Art, Albert M. Bender Collection, gift of Albert M. Bender. © The Alfredo Ramos Martínez Research Project, LLC (Photo Credit: © The Alfredo Ramos Martínez Research Project, LLC )]()
Alfredo Ramos Martínez, Zapatistas, c. 1932, oil on canvas, San Francisco Museum of Modern Art, Albert M. Bender Collection, gift of Albert M. Bender. © The Alfredo Ramos Martínez Research Project, LLC (Photo Credit: © The Alfredo Ramos Martínez Research Project, LLC )
![Alfredo Ramos Martínez, Flower Seller, c. 1916, pastel on paper on canvas, Pérez Simón Collection, Mexico City. © The Alfredo Ramos Martínez Research Project, LLC (Photo Credit: © The Alfredo Ramos Martínez Research Project, LLC)]()
Alfredo Ramos Martínez, Flower Seller, c. 1916, pastel on paper on canvas, Pérez Simón Collection, Mexico City. © The Alfredo Ramos Martínez Research Project, LLC (Photo Credit: © The Alfredo Ramos Martínez Research Project, LLC)
![Adolfo Best Maugard, The Powdered Woman, 1922, oil on cardboard, collection of Lance Aaron and Family. (Photo Credit: Collection of Lance Aaron and Family)]()
Adolfo Best Maugard, The Powdered Woman, 1922, oil on cardboard, collection of Lance Aaron and Family. (Photo Credit: Collection of Lance Aaron and Family)